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2013-01-18

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Source: pissboy

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i was just tired of seeing white walls, with white people, with white wine, you know?

— Jean-Michel Basquiat (via artismyhustle)

Yuh.

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Source: artismyhustle

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secretcinema1:

From the Shores of the Bosphorus, 1912, Baron Adolph de Meyer

Suh.

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Source: secretcinema1

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As a black filmmaker, I find that I wrestle with thoughts of ‘responsibility’; ‘who will see it’, ‘what impact will it have on the discourse in America’, ‘what images will I be projecting to our youth/to the world’. I’ve often noted, even in film school, white filmmakers don’t have that burden. They were free to write, to be, to create without thinking about this stuff. I’m certain they thought about other things but, the burden of race was not in their baggage. There is such a thing as privileged Art, privileged filmmaking. We see it in the current slate of insipid films coming out of Hollywood. Films that are not responsible or accountable to anyone or anything.

— Tanya Steele, “Tarantino’s Candy (Slavery in the White Male Imagination) [x] (via sundaynightss)

X.

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Source: mswyrr